BY JAN HAAG

POETRY + MUSIC + TEXTILE ART + TRAVEL + ESSAYS + FICTION

INTRODUCTION + HAAG'S BIO






NO PALMS



PART II



"Sadness flies on the wings of the morning, and out of the heart of darkness comes the light."
The Deaf-Mute's speech from The Madwoman of Chaillot
by Jean Giraudoux





PART II, CHAPTER 11




I felt I had gone through love as the western world knows it. Now what was there to want or need? Besides I was too old, too old, what the hell was I supposed to do? Hey, Buck, you were seventy and still romantic, but maybe women wear out sooner. I'm fifty-two. What am I supposed to do?

Well, you can be sure I didn't go back to Baby Brother's. After I dropped Sagalen off at the Albany Airport, I turned the car toward the setting sun and headed west. I told Sagalen I'd be home when she saw me.

I always have a fine old time thinking in cars. Somehow it calms me. I mean I can moan and groan about what we humans are doing to the world, to the environment as well as anyone. But you know, I think God must have had the internal combustion engine in mind, even before we got to America. I mean they seem to go together, America and the ICB. I mean I'd rather be out there walking like a pilgrim but, since I don't have that kind of guts, the next best thing is your own private car. And if your own private car is burning up the fossil fuel . . . Well, honey, we were just born to eat and shit, and you can't give up everything -- or hold everything in. So I'd say the car, my old Ford wagon, my internal combustion engine saved me right then, right there in the fall of '92.

I mean, if you recall, not only my life, but the whole world was going to hell. My father, even my father who'd never given me credit for doing anything, not for being big time in advertising once, not for always making my own living, not for not complaining about how life turned out to be different than he told me it would be, not for anything. . . I used to cry and scream at him when I was in my teens, but since I turned twenty-one, I did what had to be done. Anyway, this old man who never gave me credit for knowing anything, asked me on my last call to him for some advice on investing.

Well, as you can probably surmise, I know nothing at all about investing, so I just told him to call Colonel Steadlow at my expense and get some advice. Then I called the Colonel myself and told him to send Daddy $10,000 until we figured out what he should do.

Steadlow began to say. . .

I said: "Just do it."

I had decided to head up to the Northwest already to see Daddy. So the timing was just fine. But when you start out from just a few miles west of the East Coast it takes awhile. And I kept editorializing as I went. One of the main things I could see was how ironic it was that we American idealists should be griping about Those Guys cutting down the tropical rain forest to plant crops, to wear out the land. We, I thought, should turn our eyes to our own belly and note how we had mowed down most of America -- some to plant crops, but mostly to plant grass seed.

God, the lawns!!!!!

I mean, stretches of green around a little bitty house, hurt the eyes with all that green! Mono-cropping they would call it in the Third World. Bio-diversity shot to hell. And not even for food, just for -- was it looks? Who really liked all that lawn better than the forest? Did the American people just need something to keep them busy on the weekends, mowing and mowing, and mowing? Think of all that gas power used up in the power mowers on those acres along the Mississippi, acres across Illinois, acres in the Dakotas, acres and acres of useless lawn all proclaiming -- What? I got too much money? I got too much land? I got too much energy? God created too much grass seed?

They'd practically made a garden out of the whole three thousand miles. All you did was bless the parching quality of the deserts when you finally got to where nothing at all would grow. But we'd be there next year with our irrigation systems, you could be sure.

It's not man's nature to keep his hands off nature.

Well I was going to try, I told myself, to keep my hands off my nature. I was going to try for once to be real quiet and sneaky silent and see if I could surprise my own human nature.

For now I've told you about Buck and I've told you about Pop. I'm not too pleased with myself to have discovered I had those strong, maybe lascivious feelings about Pop. No, that's not the truth either. What I felt bad about is shaking up old Sagalen. She'd never been but the soul of kindness to me, to every other human I had ever seen her with. So why did I take it out on her? Well, because she was the only one left, I guessed.

That wasn't an excuse, it was just a fact.

I drove on the secondary roads. Which in 1992 were hardly bad at all. Seems we'd filled in most of the pot holes. Wasn't like traveling when I was a kid -- long lines waiting to drive single file through the dust where they were always fixing the single lane highways, a single lane going east and a single lane going west. No, by now what we hadn't grassed over we'd managed to pave over. So you can drive eighty all the way looking at the grass, and the corn and the wheat, and the soy beans.

But I went off on the single lane roads. And some of them were still mighty pretty. Some forests left, and little old houses, and little old towns, and even a gas station or two where the guy says of your $10.33 bill -- "Just give me the ten."

Unfortunately you don't get to meet too many people traveling across country in a car. That's why walking would be better. In a car the few people you do get to meet are the gas station attendants with whom you can talk about the weather and the price of gas. Or, buying a hunk of cheese in the grocery store, you can talk to the clerk about the weather and the price of cheese. I don't go to restaurants. But I didn't really mind keeping my mouth shut. I'd been wagging my tongue too much lately. And then of course I had been writing. So I didn't need to talk. Besides, I might walk later in life.

Along about the Great Salt Lake I began to ask myself really seriously what was it all about? I mean here were fifty miles of white, white as any snowfall, going off flat, mile upon mile upon mile to the hills. And I was passing by just at the right time to see the white shimmer, shimmer like a sheet embroidered with silver lace, and the mountains way off set back there, purple in the haze. Mile upon mile upon mile of the most perfect pristine -- well I didn't even know if you could call it land. Was it salt pan? I don't know. I had heard so many terms in my life and never applied them to reality that I didn't know.

I had tried "religious conviction." I had tried out this God and that God. Tried on this belief and that one. Gone to the source, gone to India, gone to China. I went to China the year Mount Saint Helens exploded and China had changed me about as much as any country in this whole man-ridden world. They were living in mud huts and smiling. What did they have to smile about if they were living in mud huts? And riding bicycles? Of course in India they were living in mud huts and smiling, too, and some, actually a lot of them, were living on the city streets, and even they managed to laugh at me. I mean, they laughed at me there because I was white, and because I had shaved my head and I was looking like a nun. Or a man. Or a man/nun. Or a nun/man. Like I look now. I mean, seriously. Later I found out that a lot of the Indians didn't know if I was a man or a wo-man because I was dressed in a long plain purple, faded-almost-to-the-color-of-dust gown, had no hair, had no chest to speak of, and walked everywhere by myself.

They laughed and laughed -- the barbers strung out along the sidewalk on the barber's street in Bombay. They pointed to their heads and laughed. I pointed to my head and laughed. They flourished their straight-edged razors in the air. I pulled the eighth inch of five o'clock shadow that had appeared on my skull, and shook my head, laughing. It was like being batted along by a relay team. Most of their heads were shaved, too.

And some old woman had come up to me in Patna, a city more full of men on market day than even most other Indian cities I'd seen. This old woman was about Sagalen's age, or at least looked it. She was with, I think, four other older saried women, all showing their faces. I don't think they have purdah in Patna. Anyway, she come up to me, much too close, I mean, stepped right into my space as if she were going to challenge me or spit in my eye. And she says to me: "Where are you from?"

They all speak English, you know. It's about the only good the British left in their wake -- the language -- so we mono-lingual Americans can go most places in the world and fulfill our expectations that someone will speak our language.

"Where are you from?" Gruff and loud.

"U.S.A." You don't say "America" in India because they've got a larger concept of America in Asia, it includes more than our national borders, you know: North, South, Middle, Central, Antarctica, Alaska and the North Pole: America.

"Are you alone?" Her voice is harsh and demanding. "Did you come alone?"

I feel I'm in for a lecture. But what can I do? I nod vigorously, letting her know I'll cooperate.

"All alone?" she demands.

I nod again.

Her lips kind of draw down at the corners, her right thumb jerks up. She gives the thumb a little tense affirmative shake, and turns on her heels and walks away, with her sisters? in tow.

The tears, when her "Thumbs Up" really hits me, sting in my eyes like lemon juice. Affirmation. Naked affirmation always makes me weep. I realized right then, you never know who's watching. Gandhi said: "What you do may seem unimportant, but it is very important that you do it."

It's hard to tell who lives in the streets in India and who doesn't. I mean, the streets are full day and night and people sit on the curbs and on broken down chairs. They sit on the steps of new buildings and old ruins. They sit on the roots of trees and rocks poking up through the dust. And if you go back there in the dark, a lot of them are still sitting there. Not even the French like to talk more than the Indians. Besides, who can sleep in the heat?

Which is what I found out about sleeping in the car. It was fine in the cool of autumn coming down out of the Rockies. But a few nights in Idaho, near The Craters of the Moon, I hit a pocket of Indian Summer. God, how I longed to sleep in the streets with the aplomb of the Indians in Varanasi. But you don't do it here. Poverty is a crime in America. And everyone knows the criminal class is dangerous, including the criminal class themselves, so they make sure that poverty is a crime and prey on each other and you, if you happen to just want to be out under the moon and the stars. So I stuck to my car in the woods. Windows 90% closed, even though I know criminals don't come looking for you in the forest alone.

People always ask me: "Aren't you afraid to sleep in your car?"

No. It just takes half a minute of reasoning: If you were a criminal and wanted to harm somebody would you go out looking through twenty miles of empty forest for that one little old lady sleeping in her car, or would I go down on First Avenue or Main Street or Skidroad and knock over the first person you saw who looked vulnerable and like they had five bucks? But even in the forest, even in the heat I stuck to my car. Buck had always said, "Be free, but be careful." Even before I met him, I knew there was no point in investing in fear and sickness and trembling unto death. I had spent long years defending myself against North American anxiety, paranoia insurance, investment in passing on scare stories. I just didn't do it. I didn't have an insurance policy to my name. The world for the most part, I knew, was a safe place. Particularly if you didn't watch TV or listen to the news on the radio. I mean mostly all your fellow man is after is money, so if you demonstrably have none, he's not going to bother you too much, unless you accidentally get in one of those mandatorily criminal ghettos of the poor on the city streets. Unless you're cuckoo enough to want to tell The Truth.

By the time I get to the Columbia River I am ready for some scenery. Going down the north side of the Columbia, at four in the afternoon, is one of the most beautiful drives in the world. At that time of day the sun shines upstream on that wide-as-the-Mississippi water, the water flowing west and turning black, turning into black gold in the setting sun. You go over that nice highway, up and down, up and down the gentle hills and around the gentle curves with the -- is it aspens? or cottonwoods? or alders? -- some kind of tree glistening and dancing in the wind and being pinged around by the sunshine. Across the water you see the palisades on the south side where the famous falls come down out of the rocks. You can see it's all green over there, and from the distance, across the river, it looks like moss, deep and furry moss, beautiful pinnacles of moss and white waterfalls, Multnomah Falls, Bridal Veil Falls, and half a dozen others falls whose names I don't know, like a whole string of teen-aged sisters trying out their wedding gowns. I've been to many places in the world, but there may not be any more beautiful place to drive down at four o'clock in the afternoon than the north side of the Columbia, between Oregon and Washington, from Biggs -- you cross at Biggs to get to the north side -- to the sea. No, no, not the sea. That sounds great, but it's actually from Biggs to the Bridge of the Gods -- an old erector-set type of privately owned bridge. It isn't too long a stretch. It, the prettiest part of the drive, ends before you get to Vancouver across from Portland. Just that stretch, maybe eighty miles.

Except this day, it is getting overcast even before I leave Stonehenge, the copy of Stonehenge right near Maryhill and the Maryhill Museum. Visit Stonehenge if you have a chance on the banks of the Columbia. It was built as a World War I memorial by Sam Hill, the same guy who built the museum and, as the years pass, it's getting better. And it'll keep getting better in the wind and the storms if the new entrepreneurs who just discovered it and built a gift shop on its doorstep can keep their hands off. I mean, it needs to decay a bit more because, without using any imagination at all, it was built "perfect," all the stones standing, all of concrete. It's a little stiff. The original is much more appealing, some stones up and some stones down. Have you ever noticed that ruins are another one of those "less is more" kind of things? They're far more appealing then the fresh built stuff?

I wonder if that is a premise of God.

Anyway it is getting overcast with some fog rolling in, and no sunlight is dancing anywhere and pretty soon I see a bunch of butterflies, single winged butterflies skimming across the water. At first I think that's pretty, and it is pretty unusual. Last time I drove down the Columbia, maybe six years ago, there weren't any wind surfers. Now as I come around a corner and skim along the highway close to the river I suddenly see hundreds of them, tacking back and forth across the mighty river, back and forth, back and forth. Bright sails. Hundreds of them. Domesticating the great river. Trivializing it with their games. It makes me sad. And the overcast makes me sad. So when I see a sign that points north and says Big Huckleberry Mountain -- are you old enough to remember: "I found my thrill on Blueberry Hill?" -- or maybe it even said Mount Saint Helens right down there on the river, I turn north.

I start up into the hills, the mountains, away from the river. And the sky really closes in. It begins to rain through the swirling fog. Mist and rain coming down. Grey. Grey thoughts in my head. No idea where I'm going. It's 1992. Twelve years since Mount Saint Helens blew her top. Twelve years and I haven't been up to see her yet. I can't rightly remember if I ever was up there when she was still whole. Maybe I was. I mean, I was born in the Northwest, so maybe I was. But I don't remember. As soon as she blew her top though, I know people began to speak of her with reverence, high old reverence for having been one of those perfect mountains, like Shasta. Shasta didn't have to blow her top to acquire a reputation for holiness. The Mystical Mountain. Well maybe if I'd stayed home I would have known Saint Helens was mystically magical long before she blew her head off.

Anyway I finally get inside the Mount Saint Helens National Volcanic Monument with Buck's Golden Age Pass and it's getting darker and it's getting late afternoon. I mean late and the rain is raining, I mean really pelting down. Every once in a while there is a lightning crack, thunder, but not close; the center of the storm is a distance away. It's not what's scary. It's the driving up and up and up and up and up through the grey, because now all along, outside the car even where the fog lifts in patches, even where the fog never was, it's grey. This is it. It finally registers. This is the devastation -- one dozen years later, all this gravel and all these broken trees that I see through the fog and the rain right up to the edge where they, not too long ago, laid down this road. The grey lives here, day and night. It's here. It's grey. It might look cheerier in the sunshine, but it doesn't change. It's rock and gravel and no growing things.

"You always wanted to visit the moon, Gloriana," I say to myself. "Well, welcome, here you are." Even if it's raining, I add under my breath, and the night's coming down, winding, winding on and on up the mountain into the night and the fog and the rain.

I can't figure out why I am doing this. I'm not going to get there in daylight. I'm not going to be able to see a thing. You can't sleep in a National Park outside a camp ground, and there are not going to be any camp grounds up here. The road's new and steep on both sides, and no amenities. Some construction materials are lying around in one of the few wide spots along the road where you can drive off and park and take a closer look at the total devastation.

My headlights are on and all I see is this winding road and the rain coming down as we, me and my trusty Ford, go up and up into this dark tunnel in the sky.

Finally I get to the top. How do I know it's the top? Well the road ends in a great big round cul-de-sac. Couple of Porta-Potties. And sheets of water pouring out of the sky, wisps of fog. I drive straight ahead from the end of the road right over to a sidewalk and a low wall and park right next to a pickup with a covered back, sitting there, dark in the rain. A Massachusetts license plate on its tail.

I sit there awhile with the wipers off. I can see about ten, fifteen feet off in all directions. I haven't a clue where I have come, except the signs said, Lookout Point or Observation Point, something like that, on Mount Saint Helens. The rain's running down the windshield, I feel like it's running down my heart. I'm not scared and I'm not tired, but I am alone.

And suddenly I think of my Buck Baby, and remember I dreamed of him last night. I dream of him quite a lot, and I always dream of him not making love to me. It's funny in my dreams I am always losing him. He's always going out somewhere, always got something else to do. I'm always waking up unsatisfied, always left. Always a hole in my heart. And here I am on the top of the blown away mountain in the dark and the rain, not having one clue what I am going to do next.

Well, what am I going to do next? I mean you can only sit so long staring out into the dark through a dark rain-streaked windshield. So I look to the left. I squint though my rain-streaked side window and the pickup's rain-streaked side window and I see only one human being in there and it looks like it's drinking a cup of coffee. It looks like a female human being drinking a cup of coffee. In other words, not scary. Safe.

I jump out of my car as crisp and quick as Havana would. I slam my door and am pounding on the side window of that pickup before I quite know what I am doing. The young- looking female-looking person leans across and rolls down the window an inch or two.

"Are you alone?" I scream, thinking she won't hear me in the rain and in the wind, which now that I am out of my turtle shell I realize is blowing gale force. "Are you staying the night?"

"What?!"

I open her door, lean my face in to scream again just above the level of her high front seats. It's cold in there. "Come," I scream, "over and visit me."

"Okay! Close the door!"

So without so much as one step out of a beeline back to my car, I jump back in. It's still warm in there from the heater. And I've been smart enough to get gas not too long ago, so I can afford, I figure, to run the heater if it doesn't stay warm. But it isn't too cold once I'm not in the wind.

And I'm just sitting staring out into the grey, the rain, the wind. I can tell now how hard the wind is blowing because I notice all the rain skitters sideways.

After a good long while, finishing her coffee and looking at something in the cab of her pickup with a flash light, this young curly-headed, fresh-faced, dressed-in-trekking-clothes type comes over and climbs in my passenger side door.

"It's blowing!" she says.

"I'm Gloria Brawley." I say.

"Bettina Blackridge."

"Are you going to stay up here tonight?"

"Are you?"

"I figure not too many Texas Rangers going to come up here to tell us to move on."

We both laugh.

"What are you doing up here?" I ask.

"I'm a geologist," she says. "I'm studying geology at Harvard."

"So you can tell me all about this place."

"I've been driving around the mountain for two days picking up rocks. What a feast. Then I had to drive my friend down to Portland today so she could get back East for her boyfriend's return from Europe."

"So you're alone."

She nods.

"Does that bother you?"

She shakes her head. "You?"

I shake my head.

"We were camping out all the time together for three months. This is the first night I'm alone. And I sure as hell can't sleep out there on the asphalt."

We laugh.

For over an hour she tells me about the geology of the Cascade Range pushing up five million years ago, about the volcanoes ringing the Pacific, spewing lava, active most of the time, and the minimal change that's taken place in the last dozen years in the devastation that is lying there in front of us through the dark and the wet and the rain.

"I think we'll see something special in the morning," is the last thing she says as she gets out of the car.

"Hope the sun shines!'

And she is gone into the back of her pickup in the dark.

I wiggle around, crawl over the seat, take off my clothes. Even in the damp and the cold and the wind and the rain atop Mount Saint Helens, I still got to strip naked. I can't sleep any other way then stripped down to the flesh. I always wonder about other people in their sleeping suits. Getting all tangled up. I mean I twist and turn in the night. Late in life I have decided what I do in the night is my Hatha Yoga: stretch this way for twenty minutes, than flop flop around to another position and stretch that way. I mean what else can I be doing? I'm not like Buck. He used to lie down on his back, his big arms stretched above his silver hair, and chung chung like an old Grandfather's clock he was asleep. I'd squirmed and changed positions again and again through the night. I mean I loved the idea of being next to that great generator of heat, but actually I sleep best alone. Always did, and now I have the chance to -- always will.

I pull the blankets up to my chin, stuff the down pillows around me. I carry four of them, and that's a good amount so I can block every draft coming in at an odd angle and still have one to put under my stomach when I lie face down. The wind and the rain are like lullabies.

I find I am happy. I am content. Right there on the top of a mountain all by myself in the Weather, with a capital W -- double you. "Know thy self," said Socrates.

In the morning I wake up and peer out over the front seats. The sun is as bright as a desert sun and it is beaming right into the biggest steaming hole I have ever seen in my life which is lying right over the wall in front of me. I can hardly believe it. A huge, round, smoking Grand Canyon. It can't be seven yards away. And there are some little purple flowers right there against the wall. I scrunch forward.

I'm lucky I got good training in being civilized for I do pause long enough to struggle into my sweat suit, which isn't easy, as you know, half sitting, half lying in an old station wagon. And I jump out of the car and run to the wall.

Well of course there is a big ravine between me and it. But there IT is -- he crater left by the explosion. The sun is beaming on it and I'm gasping like I have emphysema. The crater's edges are all sharp and clear as if it had exploded just last night. And all around as I look to the right and to the left, the sun lies on the grey, as if the grey were gunmetal. It reflects all the glare of the sunlight back full force. For the grey is wet from the night. Down below to my right is a lake still a third full of logs -- floating. They look like Tootsie Rolls from this height, bright reddish Tootsie Rolls against the grey water. The hill behind me, I see, has green pads on it, with the fall corpses of once purple flowers. So something has started to grow.

And in my 360 degree appraisal I see there are five cars up there that have made it through the night. Later on I find out that four of those cars are driven by single women, me and the young Bettina, and two other in-their-forties women. The fifth, actually an RV, was owned by a couple.






NO PALMS, Part II, Chapter 12




Copyright © 2000 through 2015 Jan Haag
ALL RIGHTS RESERVED

Jan Haag may be reached via e-mail: jjhaag@gmail.com

Former Website address was: http://weber.u.washington.edu/~jhaag


Complete novel, approximately 80,000 words


Jan Haag is a novelist, poet, painter, textile artist, and former Director of National Production Programs for the American Film Institute.



BY JAN HAAG


POETRY + MUSIC + ESSAYS + TRAVEL + FICTION + TEXTILE ART

INTRODUCTION + HAAG'S BIO



21st CENTURY ART, C.E. - B.C., A Context